All In Vain Or The Opposite

Damn, Florida! Why you gotta be so beautiful? View high resolution

Damn, Florida! Why you gotta be so beautiful?

Ready for the weekend 
(via @fuckjerry) View high resolution

Ready for the weekend
(via @fuckjerry)

Current Mood (via @fuckjerry)
#channelingmyinnerronswanson View high resolution

Current Mood (via @fuckjerry)
#channelingmyinnerronswanson

I FUCKING LOVE PATTI SMITH, ok!? View high resolution

I FUCKING LOVE PATTI SMITH, ok!?

Difficult Girl

newyorker:

Lena Dunham writes about her childhood anxieties, and growing up in therapy:

“I have only the vaguest memory of a life before fear. Every morning when I wake up, there is one blissful second before I look around the room and remember my many terrors. I wonder if this is what it will…

(Source: newyorker.com)

historiful:


“I didn’t give a damn about [being a sex symbol]…it was better to be there and be sexy than ugly […] I am shocking, impertinent[,] and insolent [and] that’s how it is.”Brigitte Bardot, in a brief interview with Ella Alexander of Vogue UK, 2010. 

Actress Brigitte Bardot (b. 1934)

historiful:

I didn’t give a damn about [being a sex symbol]…it was better to be there and be sexy than ugly […] I am shocking, impertinent[,] and insolent [and] that’s how it is.”

Brigitte Bardot, in a brief interview with Ella Alexander of Vogue UK, 2010. 

Actress Brigitte Bardot (b. 1934)

The Miracle Of Love Streams

durgapolashi:

Both husband and wife were bound by a beautiful agitation and an outlier quality that compelled their work but on the surface could be perceived as cagey or “mysterious… even, perhaps especially,” Ventura notes, “to each other.” It’s no secret they had a “volatile” relationship. That’s how…

LOVE STREAMS

durgapolashi:

image

"In Sarah’s marriage we see only the divorce, beginning at the end with lawyers, papers, and her husband and daughter’s retreat. Her retreat in kind brings to mind Barbara Loden’s Wanda, if for no other reason than that both films are about women whose wants are on nobody’s radar, especially…

Well, hey there! Welcome, Marcos Rojo View high resolution

Well, hey there! Welcome, Marcos Rojo

workman:

colin-vian:
  Paul W Ruiz - 2013 Study after Baldessin’s ‘Banquet’ 1966 [detail] View high resolution

workman:

colin-vian:

  Paul W Ruiz - 2013 Study after Baldessin’s ‘Banquet’ 1966 [detail]

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