All In Vain Or The Opposite

derekdarling:

holly woodlawn

derekdarling:

holly woodlawn

derekdarling:

leigh bowery by annie leibovitz

derekdarling:

leigh bowery by annie leibovitz

(via danifine)

(via danifine)

derekdarling:

candy darling

derekdarling:

candy darling

love.
toxicjohnny:


killerbeesting:

richard hell**

love.

toxicjohnny:

killerbeesting:

richard hell**

derekdarling: by richard avedon

derekdarling: by richard avedon

(via derekdarling)

(via derekdarling)

derekdarling: candy darling by anton perich

derekdarling: candy darling by anton perich

billyjane: Francesca Woodman

billyjaneFrancesca Woodman

queering: daily [d]Andy with Paul Morrissey, Janis Joplin and Tim Buckley killerbeesting:pieceofthesky:via cestnouveau

queering: daily [d]Andy with Paul Morrissey, Janis Joplin and Tim Buckley killerbeesting:pieceofthesky:via cestnouveau

billyjane: Sarah Moon [ from Coïncidences] via moodboard

billyjane: Sarah Moon [ from Coïncidences] via moodboard

lacontessa: Louise Brooks. Photo by George P. Hommel and Eugene Robert Richee.

lacontessa: Louise Brooks. Photo by George P. Hommel and Eugene Robert Richee.

queering: ben mccool

queeringben mccool

billyjane:Monday Dali by Bob Sandberg,1947 via Gothamist

billyjane:Monday Dali by Bob Sandberg,1947 via Gothamist

oldhollywood:

Stills via Emak Bakia (aka Leave Me Alone, 1926, dir. Man Ray)
Though best known for his avant-garde photography, Man Ray directed several influential short films in 1920s (several of which can be seen here), which reflected his involvement in the Dada & Surrealist movements.
Of Emak Bakia, Man Ray wrote: “A series of fragments, a cinepoem with certain optical sequences making a whole that remains a fragment. Just as one can much better appreciate the abstract beauty in a fragment of a classic work than its entirety, so this film tries to indicate the essentials in contemporary cinematography.”

oldhollywood:

Stills via Emak Bakia (aka Leave Me Alone, 1926, dir. Man Ray)

Though best known for his avant-garde photography, Man Ray directed several influential short films in 1920s (several of which can be seen here), which reflected his involvement in the Dada & Surrealist movements.

Of Emak Bakia, Man Ray wrote: “A series of fragments, a cinepoem with certain optical sequences making a whole that remains a fragment. Just as one can much better appreciate the abstract beauty in a fragment of a classic work than its entirety, so this film tries to indicate the essentials in contemporary cinematography.”